Modern life is goodish online dating
It's probably not a coincidence that I fainted on stage during the taping of episode 6. Nobody involved in the show - me included - knows what it's going to look like until I emerge from my shed having built it. I don't want you to watch me remembering stuff - I want to relate stuff to you. For two: it's unhelpful to build powerpoint for bits until I know what they're going to be a part of.
Everyone involved - the channel and the production company and everyone working on the show - has been aware of quite how labour intensive the show is to make ever since we began. And then, when I've built it, we talk about it some more, we come up with some definitive ideas for words to go with it. For example, in a recent episode there was a small section about serving suggestions.
I won't be shy of letting you know for sure as and when it gets a confirmed date. and the biggest audience was 102% up on the slot average.
What I wasn't expecting to find out at this stage - but I'm absolutely bloody delighted about - is that the channel already know they want more of it.
But unfortunately, there isn't a short cut when it comes to building the powerpoint. It only earned it's place in a show because I could see a way of connecting it to other bits.
We don't write a paper script and then send it to a graphics department to build. It provided a segue to something else, but also created a really easily understood metaphor that improved a later, seemingly unconnected later bit making it shorter to tell and more immediate to grasp. and I didn't know those things at the start of Series 1.
And it's me who's trying to wrap my words around it.
The best way of me absorbing the timings is for me to create them. In a way, the decision to tour next year, made my mind up for me.
Three or four times a week during that time I start work at 10am, work through to 5am try to get some sleep... A regular show has somewhere between 300 and 500 slides in it.
The idea of 'handling an audience like a DJ at a club' sort of gets to the nub of the difference between long-form and short-form stand-up. And I have always tried to go about my job without complaint.
I don't think you can really do that in a short set. There's no point moaning about having-to-come-up-with-more-stuff when coming-up-with-stuff is one of the key parts of your job. And I'm not pretending that every last bit of it has been all my own work.
And before we started work on series 4, we knew that everyone was committed to trying different schedules and finding ways of solving these issues. There aren't many comics that will get that opportunity.
And I like to think I respected the opportunity - and the audience - and always gave my all to it.